7 Jul
Design History Society on Facebook
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6 Jul
Response to the HEFCE's REF consultation
Two prizes of £300, one undergraduate and one postgraduate, are awarded annually to maintain high standards in Design History in Higher Education.
The competition is open to any student on an accredited BA or MA equivalent course in which Design History is a component. Undergraduate entries are limited to within the UK and Ireland only. Postgraduate submissions are on an international basis. The following criteria apply:
Application forms and guidelines outlining selection and nomination criteria are available from Jill Seddon, DHS Essay Prize Officer, School of Humanities, University of Brighton,10-11 Pavilion Parade, Brighton BN2 1RA, T: +44 (0)1273 643046, j.seddon@bton.ac.uk
The next deadline for submission is Monday, 5 July 2010.
Anna Kealey, BA (Hons) Visual Communication, Institute of Art, Design and Technology, Dun Laoghaire
‘Innovation and Exploitation: a Critique of American Apparel’
Ann Christie, MA History of Design, V&A/Royal College of Art, London.
‘A Taste for Seaweed: an 18th century cotton dress printed with a design by William Kilburn'
Miranda Iossifides, BA (Hons) Graphic and Media Design, London College of Communication, University of the Arts London.
‘A study of the gecekondu in Instanbu, Turkey: Innovative Urbanism for the West and the Global Urban Poor’
Elizabeth Bisley, MA History of Design, V&A/Royal College of Art, London.
‘Design Change in American Motels, 1945-1970'
Marcus Swan, BA (Hons) Design in Visual Communications, The Institute of Art, Design & Technology, Dun Laoghaire, County Dublin, Eire.
The Medium is the Text Message:The Social and Aesthetic Effect of Text Messages.
Lauren Porter, History of Design MA, V&A/Royal College of Art, London.
The Cardinal's Hammer.
John Patrick Hartnett, BA (Hons) Design for Interactive Media, the Institute of Art, Design & Technology, Dun Laoghaire, County Dublin, Eire.
Derrida by Default: Wolfgang Weingart and the (Accidental) Deconstruction of Swiss Typography
Chris Campbell, MA Communication Design, Central St Martins, University of the Arts London.
Authority, Obedience and the Naked Street: The British Road Signage System After World War II
Sian Ball, BA (Hons) Textile Design, Loughborough University.
Children's Clothing in the 1960s: A Period of Transition
Katherine Feo, MA History of Design, V&A/RCA.
(In)visibility: Memory, Masks and Masculinities in the Great War
Eleanor Marsden, BA English and the History of Art and Design, Winchester School of Art (University of Southampton).
Where Art and Fashion Meet: Unravelling the Significance of an Edwardian Dress
Di Taylor, MA History of Design RCA/V&A Joint Course
Powder to Go: The Supremacy of the Powder Comapct in the Interwar Years.
Martin Cahill, BA (Hons) Visual Communications, Dublin Institute of Technology
Universalism vs. National Identity: The Evolution of the Olympic Pictogram.
Hannah Smith, BA (Hons) History of Design, Culture & Society/University of Brighton
Mirrors of Society? Bankside Power Station & Baltic Flour Mill.
Jennifer Lock, Fashion and Textile Design, John Moores
A Discussion of the Role of the Photograph, the Viewer and the Viewed in Faashion Photography of the 1990s.
Alice McEwen, MA History of Design RCA/V&A Joint Course
Wanted Dead or Alive! The Role of the British Bathroom Tap in Constructing (and Reflecting) Idealized Visions and Lived Realities.
Lizzie Engelen
Pugin's Albury Chimneys - Pots of cash or stacks of style?
Kate Forde, MA History of Design RCA/V&A Joint Course
Celluloid Dreams: The marketing of Cutex in America 1916-1935.
Laura Molson, Design Studies A at the Nottingham Trent University.
The Make Do and Mend Campaign, a Successful Strategy?
Mole Leigh, 3D Craft graduate of the University of Brighton
The Chronomanual Concept: human labour and relative time-consumption in the production of craft.
Guy Turner, MA History of Design Joint, V&A/RCA.
"Allume Catina" and the Aesthetics of Venetian "Cristallo".