1 May
DHS Network Co-ordinator
The Design History Society is looking to enhance the activities of the Executive Committee with the appointment of Network Co-ordinator, to plan and develop new networks germane to the Design History Society and related subjects....More
1 May
Media Matters: Friedrich Kittler and Technoculture
Media Matters: Friedrich Kittler and Technoculture is a two day series of events bringing one of today's foremost philosophers of media to Tate Modern for an opportunity to examine the relationship between culture and technology with a range of leading thinkers and practitioners, on 27-28 June 2008....More
1 May
Commonplace Yet Extraordinary
The symposium “Commonplace Yet Extraordinary: Design Histories of Everyday Objects” will take place at the Hagley Museum and Library in Wilmington, Delaware on Friday 16 May, 2008....More
Two prizes of £300, one undergraduate and one postgraduate, are awarded annually to maintain high standards in Design History in Higher Education.
The competition is open to any student on an accredited BA or MA equivalent course in which Design History is a component (within the UK and Ireland only). The following criteria apply:
Application forms and guidelines outlining selection and nomination criteria are available from Linda Sandino, DHS Essay Prize Officer, Camberwell College of Arts, University of the Arts London, Wilson Road, London SE15 8EU, T: +44 (0)20 7514 6414, F: +44 (0)20 7515 6405.
The next deadline for submission is 3 July 2008.
Marcus Swan, BA (Hons) Design in Visual Communications, The Institute of Art, Design & Technology, Dun Laoghaire, County Dublin, Eire.
The Medium is the Text Message:The Social and Aesthetic Effect of Text Messages.
Lauren Porter, History of Design MA, V&A/Royal College of Art, London.
The Cardinal's Hammer.
John Patrick Hartnett, BA (Hons) Design for Interactive Media, the Institute of Art, Design & Technology, Dun Laoghaire, County Dublin, Eire.
Derrida by Default: Wolfgang Weingart and the (Accidental) Deconstruction of Swiss Typography
Chris Campbell, MA Communication Design, Central St Martins, University of the Arts London.
Authority, Obedience and the Naked Street: The British Road Signage System After World War II
Sian Ball, BA (Hons) Textile Design, Loughborough University.
Children's Clothing in the 1960s: A Period of Transition
Katherine Feo, MA History of Design, V&A/RCA.
(In)visibility: Memory, Masks and Masculinities in the Great War
Eleanor Marsden, BA English and the History of Art and Design, Winchester School of Art (University of Southampton).
Where Art and Fashion Meet: Unravelling the Significance of an Edwardian Dress
Di Taylor, MA History of Design RCA/V&A Joint Course
Powder to Go: The Supremacy of the Powder Comapct in the Interwar Years.
Martin Cahill, BA (Hons) Visual Communications, Dublin Institute of Technology
Universalism vs. National Identity: The Evolution of the Olympic Pictogram.
Hannah Smith, BA (Hons) History of Design, Culture & Society/University of Brighton
Mirrors of Society? Bankside Power Station & Baltic Flour Mill.
Jennifer Lock, Fashion and Textile Design, John Moores
A Discussion of the Role of the Photograph, the Viewer and the Viewed in Faashion Photography of the 1990s.
Alice McEwen, MA History of Design RCA/V&A Joint Course
Wanted Dead or Alive! The Role of the British Bathroom Tap in Constructing (and Reflecting) Idealized Visions and Lived Realities.
Lizzie Engelen
Pugin's Albury Chimneys - Pots of cash or stacks of style?
Kate Forde, MA History of Design RCA/V&A Joint Course
Celluloid Dreams: The marketing of Cutex in America 1916-1935.
Laura Molson, Design Studies A at the Nottingham Trent University.
The Make Do and Mend Campaign, a Successful Strategy?
Mole Leigh, 3D Craft graduate of the University of Brighton
The Chronomanual Concept: human labour and relative time-consumption in the production of craft.
Guy Turner, MA History of Design Joint, V&A/RCA.
"Allume Catina" and the Aesthetics of Venetian "Cristallo".